JVC DLA-RS4200


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3rd Generation Native 4K D-ILA Device

D-ILA device is the heart of projectors that plays an important role in projecting beautiful images. Device improvement continues to date – the third generation 0.69-inch native 4K D-ILA device improved the alignment control of liquid crystals and enhanced the flatness of image pixels to offer 1.5 times* the native contrast ratio compared to the Gen2 device. Additionally, improvements in the device manufacturing process have resulted in improved screen uniformity and enhanced image quality. *:DLA-NZ800 and DLA-RS3200 are 1.25-times.

Unparalleled Black Level and High Luminance Deliver Images Brimming with Reality

The new D-ILA projector boasts the industry’s highest native contrast with the Gen3 0.69-inch 4K D-ILA device and wire-grid optical engine, however in combination with the dynamic laser light control, which analyzes the incoming video signal to automatically control the amount of outgoing laser light, a dynamic contrast level of ∞:1 (infinity to 1) can be achieved in scenes with pitch blackness by completely shutting off the light source. As a result, images brimming with reality that are closer to human perception can be produced. Likewise, the new algorithm enables laser control with greater precision to meet the user’s preferences. 

High Brightness


Exceptional Brightness and Longevity with
BLU-Escent Laser

Another essential aspect of projectors lies in their light source. The DLA-RS series adopts JVC’s original laser light source, “BLU-Escent Laser,” to achieve exceptional peak brightness of 3,300 lumens on the DLA-RS4200 and 2,700 lumens on the RS3200, both with longevity of 20,000 hours. When compared to the first-generation laser projector*, the projectors’ brightness per effective wattage has improved 1.9-fold, which also contributes to saving power through improved power efficiency.

*When compared to the DLA-RS4500.

Controlling the Luminance in 101 Steps

BLU-Escent Laser can finely adjust the luminance according to the environment and preference using the Light Source Control by slider adjustment. There are 101 (0 – 100) luminance control steps that can be used to make fine adjustments to match the target luminance in the environment and on the screen.

High Resolution


8K60p Input for Ultra-high Res 8K Content.
4K120p Input for Games and More.

This D-ILA model supports a variety of inputs, including a full 48Gbps 8K60p. By adopting LSIs developed with the latest technology, it is now possible to process four times the amount of information from input to the D-ILA device instantly and correctly display 8K signals. As a result, users can enjoy stable, high-quality 8K images at all times. Also, using 4K120p input with the Low Latency Mode further improves response to the player’s rapid operations, making it effective for displaying high frame-rate gaming content on large screens.

Gen2 8K/e-shiftX Realizes
Remarkable 8K Resolution Display

JVC’s proprietary 8K/e-shiftX, which is a combination of “e-shift technology” – a high-resolution display technology that doubles the resolution by shifting a pixel by 0.5 pixels in four directions up, down, left, and right – and “0.69-inch native 4K D-ILA devices” has made significant progress as the second generation 8K/e-shiftX. The latest version features JVC's newest 8K scaling engine that drastically improves the projector’s sharpness and detail across a wide range of content, including 8K (8192 x 4320 pixels) sources.

All-glass Lens System Made to Depict Everything
What 8K Image Has to Offer

The high-end DLA-RS4200 is equipped with an 18-element, 16-group all-glass lens featuring a full aluminum lens barrel. To project high-resolution 8K images to every corner of the screen, the projector incorporates five ED lenses calibrated for differences in the R/G/B refractive index to reduce chromatic aberration and colour fringing when lens shift kicks in to deliver precise reproduction of 4K- or 8K-resolution projection.

Ultimate Dynamic Range


HDR Drastically Improves Expressive Power of Images

When it comes to reproducing the rich video information of HDR content, including the extended brightness range, BT.2020 wide colour gamut and 10-bit gradation, rely on the new D-ILA projectors. Both models support all HDR formats including HDR10 for Blu-ray and streaming, HLG for broadcasting, and HDR10+ with dynamic metadata compatibility. The projectors’ improvements for higher brightness and contrast have helped to achieve a wider dynamic range, allowing users to enjoy an immersive experience with HDR images full of reality.

DML (Display Mastering Luminance) for a Better HDR Experience

DML (Max Display Mastering Luminance) metadata, which represents the nit level of the professional monitor used to grade the movie to the director's standards, is used to set the dynamic range of the title for improved HDR tone mapping. On the DLA-RS4200/RS3200 series, both DML and MaxCLL values are used for the HDR levels.

HDR10+ described

In HDR10, the basic standard for reproducing HDR content, there are only two pieces of information: MaxCLL, which represents the maximum brightness of the content, and MaxFALL, which represents the average maximum brightness. However, with HDR10+, the luminance information for each scene is embedded in the content as metadata, which allows for scene-specific tone mapping and faithfully reproduces the HDR image intended by the creator.

Gen2 Frame Adapt HDR Function for
Brighter and More Colorful HDR Images

The Frame Adapt HDR function, which uses a proprietary algorithm to instantaneously analyze the maximum brightness of any HDR10 content per scene or frame and perform real-time tone mapping to optimal dynamic range for video projection, has evolved into the second generation (Gen2). The algorithm for tone mapping has been fully reexamined to achieve HDR images with higher definition. Furthermore, the proprietary algorithm for tone curve selection has also been improved to reproduce HDR images that are brighter, more colourful and have a wider dynamic range.

Deeper Blacks for Richer Gradation

The new Deep Black Tone Control has been added to Frame Adapt HDR, with a new algorithm to further subdue tones in dark areas to achieve more realistic darkness. This function maximizes the dynamic range of the new-generation 4K D-ILA devices and delivers images with more contrast than ever before. Scenes with light and dark shades such as nightscapes can be projected with greater realism.

Theater Optimizer for optimal reproduction of HDR content
suitable to each environment

The brightness of the projector screen varies depending on the screen size, gain, frequency of use, and Setting. JVC projectors intelligently adjust tone mapping so that the content can be viewed at the appropriate brightness by automatically analyzing the environment in which the projector is used, simply by entering the screen size and gaining information under Theater Optimizer in the Frame Adapt HDR picture mode. This ensures reference picture quality at the appropriate brightness, suitable to each custom home theatre environment.

JVC projectors featuring Frame Adapt HDR and Theater Optimizer can express HDR/HDR10+ content at optimum brightness and darkness in each scene as the creator intended.

FILMMAKER MODE™ for Faithfully Recreating
the Creator's Original Intentions

JVC Advanced Technology


Vivid Reproduction of HDR Sources Containing a Wide Color Gamut

Even when HDR content using a wide colour gamut equivalent to BT.709 and DCI-P3 is projected on these projectors, the original cinema filter combined with the BLU-Escent Laser works together to reproduce rich colours, such as the gradations of the sky and ocean, the contrast of red roses, or a row of fresh green trees.

Picture Mode “Vivid”

To reproduce SDR content with a narrow dynamic range in more saturated colours, the conventional Natural mode has been improved to the new “Vivid” mode. This mode is excellent for projecting SDR animated works that are popular in streaming content and gaming CGs with greater vividness.

Clear Motion Drive for the smoothest video

Clear Motion Drive*, which reduces afterimages, has improved its algorithm for compensation accuracy in the periphery of intersecting objects. Together with Motion Enhance technology, these projectors enable a much smoother reproduction of images. 

*The function is disabled when inputting 4K120p signals.

Proof of high-grade, high-quality projectors
licensed with ISF Certifications

All models are licensed with the ISF C3 (Certified Calibration Controls) mode, enabling trained dealers to professionally calibrate them to desired screen surfaces, lighting environments and video sources, and then securely store these precise settings into the projector.

6-axis Color Management System

A 6-axis matrix of red, green, blue, cyan, magenta, and yellow enables the precise adjustment of hue, saturation, and intensity. Users can make adjustments suitable for the content as the projector allows precise management of colours.

Auto Calibration function

Using an optical sensor and proprietary software*2, optimum calibration can be applied in just a few easy steps to match the changes in optical characteristics caused by the installation situation of the projector. Auto-calibration optimizes all essential elements found in the image, including colour balance, gamma characteristics, colour space, and colour tracking. In the past, multiple calibrations were required, but now it's possible to complete the calibration with a single calibration.

*2: An optical sensor and proprietary software, which is downloadable from the JVC website, are required to perform the auto calibration function. Refer to the JVC website for details.

Functions to make appropriate settings according to the video signal and Menu structure

Today's diversified video signals require settings that match the input signals for viewing at an appropriate picture quality. The latest projectors from JVC provide various functions and menus for easy, optimized use of the settings. To name a few, there is a menu for Content-Type, a function to automatically switch Color Profile and a function to set Auto Pic. Mode Select. Content Type menu: Use this menu to select the best "picture quality mode" for the input video without worrying about complicated manual gamma and gamut settings. Automatic Color Profile Switching function: Use this function to automatically switch to the optimal colour profile according to the colour gamut information of the video signal, eliminating the need for manual switching. Auto Pic. Mode Select: Use this function to set the "Picture Mode" corresponding to each input signal (SDR, 3D, HDR10, and HLG).

Convenient Features


Installation Mode

These projectors are equipped with Installation Mode that allows users to centrally manage settings related to installation to touted video optimized for each environment. As shown in the graphical interface, eight settings for Lens Control, Pixel Adjustment, Mask, Anamorphic on or off, Screen Setting, Installation Style, Keystone, and Aspect can be adjusted. Additionally, ten different mode settings can be stored in memory and named as desired. Installation modes stored in memory for various environments can be called up immediately.

Screen Adjustment Mode

Screen Adjustment Mode is one of the nine Installation Modes described above. When the user selects a setting that best suits the screen being used from the Screen Adjustment Mode settings, the projector adjusts the image with the natural colour balance to match the screen. The model is compatible with the latest models offered by the world's major screen manufacturers.

Digital Keystone Function*

These projectors feature the Digital Keystone Function. Digital Keystone adjusts keystone distortion that occurs when the projector is placed in a tilted position.

*: Digital Keystone Function cannot be used simultaneously. Keystone adjustment corrects only in the vertical direction.

Anamorphic mode for wide cinematic films

A 2.35:1 aspect ratio for wide cinematic films can be enjoyed by combining the projector with a third-party anamorphic lens to create dynamic picture reproduction just as can be seen in a movie theatre.

USB Back-up

The USB backup function can save and write settings on the main unit menu to a third-party USB flash drive all at once. It is important to save adjustments made by an installer or specialist or to undo unintended adjustments made by children or family members.

Intake/exhaust layout and Footprint
designed for ease of installation.

The rear air intake and front exhaust layout provide flexibility for a variety of installations. Screw holes at the feet are compatible with a conventional ceiling-mount bracket, and the anti-skid grooves prevent the projector from slipping while lifting it.

JVC Unique Input and Output

JVC Unique Input and Output In addition to 3D compatible HDMI inputs, the projector features an array of other connections, such as an RJ-45 socket for projector control, firmware and configuration updates, and a trigger socket for an anamorphic lens or motorized screen. The projectors comply with the latest HDMI standard and HDCP with the two HDMI terminals.

Remote control

Technical Specifications

Manuals

  • Device
    D-ILA Technology: Yes
    Chip Type: 3rd Generation 0.69-inch 4K D-ILA device
    Native Resolution: 4096 x 2160
    Number of Chips: 3
    8K/e-shiftX: Yes
    Display Resolution: 8192 x 4320

Light Source

  • Laser: Yes
    Type: BLU-Escent Laser Diode
    Lifetime (Standard Mode): 20,000 hours

Picture

  • Brightness: 2700 lm
    Dynamic Contrast: ∞:1
    Native Contrast: 100,000:1
    Dynamic Light Power Control: Yes
    Modes: Mode 1 (gentle), Mode 2 (strong), Off
    Manual Aperture: Yes
    Range: -15 (stops down) to 0 (opens up)
    DCI-P3 Color Gamut: Yes
    100% REC 709: Yes
    Colour Bit Depth: 12-bit
    ISFccc Certification: Yes
    HDR:
    HDR10: Yes
    HDR10+: Yes
    Frame Adapt HDR: Yes
    Theater Optimizer: Yes
    HLG: Yes
    Auto Tone Mapping: Yes
    Mastering Info Display: Yes
    Info Data: MaxCLL and MaxFALL mastering data
    HDR Picture Modes: BT.709 / BT.2020 / DCI / HDR

Lens

  • Zoom: 2x
    Throw Ratio: 1.43-2.92:1
    Diameter: 65 mm
    Material: All-glass
    Build: 17-element, 15-group in full aluminum lens barrel
    Lens Shift: Yes
    Range Horizontal: ±34%
    Range Vertical: ±80%
    Motorized Zoom: Yes
    Motorized Shift: Yes
    Motorized Focus: Yes
    Projection Display Size (Diagonal): 60 - 200 inch
    Memory Function: Yes
    Number of User Presets: 10
    Lens Cover: Yes

HDMI

  • HDMI: Yes
    Number of Inputs: 2
    Data Rate: 48 Gbps
    HDCP Version: 2.3
    8K60P Signal Input: Yes
    4K120P Signal Input: Yes
    4K60P Signal Input: Yes
    Video Signal Range: 480p, 576p, 720p 60/50, 1080i 60/50, 1080p 120/100/60/50/30/25/24, 3840 x 2160p 120/100/60/50/30/25/24, 4096 x 2160p 120/100/60/50/30/25/24, 7680 x 4320p 60/50/30/25/24
    PC Signal Range: VGA / SVGA / XGA / WXGA / WXGA+ / SXGA / WSXGA+ / UXGA / WUXGA / WQHD (60) / WQHD (120)
    Input Level Adjustment: Auto / Standard (16-235) / Enhanced (0-255) / Super White (16-255)
    Colour Space Range: Auto / YCbCr444 / YCbCr422 / RGB
    EDID Modes: A and B (older hardware may need to use B settings)

Connections

  • Trigger Out: Yes
    Connector: Mini-Jack (3.5mm)
    Power: DC 12V / 100mA
  • 3D Synchro: Yes
    Connector: Mini DIN 3-pin
  • LAN: Yes
    Connector: RJ45
  • RS-232: Yes
    Connector: D-sub 9-pin
  • Service: Yes
    Connector: USB (Type A) for firmware update or backup

3D

  • 3D Capability: Yes
    3D Versions: Frame Packing, Side-by-Side, Top & Bottom
    Frame Packing Resolutions: 720p 60/50, 1080p 24
    Side-by-Side Resolutions: 720p 60/50, 1080p 60/50/24, 1080i 60/50
    Top & Bottom Resolution: 720p 60/50, 1080p/24
    3D Emitter (Optional): Yes, PK-EM2
    3D Glasses (Optional): Yes, PK-AG3

Picture Settings

  • Picture Modes: Natural, Cinema, Film, Vivid, HDR10+, Frame Adapt HDR, HDR10, HLG, Pan_PQ, 6 User Modes
  • Colour Temperatures: Xenon 1, Xenon 2, 5500K, 6500K, 7500K, 9300K, High Bright, HDR10+, HDR10, HLG, Custom 1, Custom 2
  • Gamma Processing Depth: 12-bit
  • Gamma Adjust: HDR (Auto), HDR (PQ), HDR (HLG), 2.2, 2.4, 2.6, Cinema 1, Cinema 2, Film 1, Film 2, Pana_PQ, 3 Custom Modes
  • Colour Management: 6-Axis adjustable CMS
  • MPC: Yes
  • Filmmaker Mode: Yes
  • Low Latency Mode: Yes
  • Clear Motion Drive: Yes
  • Motion Enhance: Yes
  • Auto Calibration: Yes
  • Optional Probe Needed: Yes
  • Installation Mode: Yes
    Number of Modes: 8
    Included Settings: Lens Control, Pixel Adjustment, Mask, Anamorphic On/Off, Screen Adjust, Installation Style, Keystone, and Aspect
    Anamorphic Modes: 4 Modes (A, B, C, D)
  • Control4 SDDP: Yes

Power & Environment

  • Power Requirement: AC 100-240V, 50/60Hz
  • Projector in Use: 440W
  • Standby (Eco-mode): 0.3W
  • Network Standby: 1.5W (LAN)
  • Fan Noise: 24 dB
  • Eco Mode: Yes
  • Standby Timer: Yes
  • Operating Temperature: 5°C to 35°C
  • Operating Humidity: 20% to 80%
  • Installation Angle: Horizontal ± 5 degrees / Vertical ± 10 degrees
  • Installation Height: Below 2,000 m

In the Box

  • Remote Control: Yes, RM-MH27
  • User Manual: Yes
  • Power Cord: Yes
  • Batteries: Yes, 2 x AAA-size batteries

Dimensions & Weight

  • Product Dimensions (WxHxD): 19-11/16 x 9-7/32 x 19-29/32 inches
  • Product Weight: 50.8 lbs

General Note: Simulated pictures. The values for weight and dimensions are approximate. E.&O.E. Design and specifications are subject to change without notice.


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